Melissa Manchester

Sample this concert
  1. 1No One Can Love You More Than Me04:46
  2. 2Midnight Blue05:27
  3. 3Easy05:36
  4. 4Just Too Many People03:34
  5. 5Don't Cry Out Loud04:22
  6. 6Home To Myself03:13
  7. 7Bad Weather06:35
  8. 8Whenever I Call You 'Friend'04:12
  9. 9For The Working Girl03:43
  10. 10Hey Ricky03:50
  11. 11You Should Hear How She Talks About You05:17
  12. 12Better Days02:45
  13. 13Come In From The Rain05:47
Liner Notes

Melissa Manchester - vocals, piano; Robbie Buchanan - keyboards, synthesizer; Abe Laboriel - bass; Dean Parks - guitar; Richard Elliott - sax, keyboards; Michael Hamm- background vocals; Susan Chan - background vocals; Efron Toll - percussion; Gaylord Burch - drums

Recorded on her 1984 US tour while she was promoting her album Emergency, Melissa Manchester returned to the road after a break that included writing hits for Kenny Loggins and Stevie Nicks ("Whenever I Call You Friend"), a switch to a new label (MCA), and acting gigs in a number of films and TV shows. After making her musical name with a number of pop ballads, Manchester was trying to move toward a more energetic, dance-oriented sound.

Her fans were a little reluctant to accept the new sound and material, but Manchester wowed them anyway, in a strong performance that includes her biggest solo hits ("Midnight Blue," "You Should Hear How She Talks About You," "Come In From The Rain," and "Don't Cry Out Loud"), and her own version of "When I Call You Friend," which featured background vocalist Michael Hamm. During this show, which comes with a heavy dose of Broadway glitz (the dramatic ending of "Come In From The Rain" is right out of the Great White Way school of showmanship), Manchester paces things by alternating the ballads with up-tempo pop songs like "Hey Ricky," a rocker she co-wrote with Bernie Taupin.

Growing up in Manhattan, Manchester became a student of the arts at the urging of her father, who played bassoon with Metropolitan Opera. As a teenager, she attended the New York High School for the Performing Arts (immortalized in the musical, Fame), while moonlighting as a session vocalist on advertising jingles.

Soon after, she was signed as a songwriter by Chappell Music, and while attending NYU, she enrolled in a songwriting class taught by folk-rock icon Paul Simon. The songwriting class taught by Simon inspired her enough to begin performing her own material on the thriving New York club circuit. One night while performing at the Bitter End, she was discovered by an up-and-coming singer named Bette Midler, and her musical director, pianist Barry Manilow. The two hired Manchester as a back-up vocalist in 1971, and soon after, Manilow brought her to the label where he had his own deal, Bell, later renamed Arista Records.

Arista signed her, and in 1973 her first LP, Home To Myself, was released, featuring mostly original material she had co-written with another aspiring writer, Carole Bayer-Sager. (Bayer-Sager would become a pop composer superstar in her own right, and eventually, Mrs. Burt Bacharach). She would score Top 10 hits with a number of pop ballads that included "Midnight Blue," ""You Should Hear How She Talks About You," (which won her a Grammy), "Come In From The Rain," and "Don't Cry Out Loud," (written by the late Peter Allen).

By the late 1980s, Manchester's recording career had faded and she focused more on acting, including a role in the Bette Midler epic, For The Boys. She returned to touring and recording in the 1990s, and released her last album on Koch in 2004.