This progressive proof variation exists in six distinct versions. Each was created during the color separation process to evaluate ink registration and tonal balance prior to the final print run. The variations display unique color stages, all measuring 23" x 31" and printed on identical stock.
The Progressive Proof A displays a yellow hue, capturing the base tone layer used to build subsequent color separations. It measures 23" x 31".
The Progressive Proof B presents a pink hue, highlighting the warm midtone stage of the printing process. It measures 23" x 31".
The Progressive Proof C shows a gray impression, reflecting the neutral balance stage prior to full color overlay. It measures 23" x 31".
The Progressive Proof D combines yellow and pink layers, resulting in a vibrant orange-toned blend that demonstrates the transitional phase between base and midtone applications. It measures 23" x 31".
The Progressive Proof E reveals a blue tone, representing the final color pass before completion. It measures 23" x 31".
The Progressive Proof F combines yellow, blue, and pink color layers, showcasing the nearly complete composition before the final black key plate was added. This version captures the rich midtone and highlight balance achieved through the overlay of these three primary inks. Printed on identical stock, it measures 23" x 31".
Randy Tuten is the only poster artist whose work spans five decades of design for The Fillmore. The 23 year-old San Francisco native was hired by Bill Graham in January, 1969, and their mutual taste for traditional, readable design style led to a long-lasting work relationship. Although influenced by the compositions of "Fillmore Five" artists Mouse, Kelley and Griffin, Tuten avoided "... Heavy meaning in my posters." Tuten's style reflected his skill as a draftsman, and his designs evolved into an eclectic mix of graphic imagery, lettering and photographs.