THE LEGACY OF BILL GRAHAM
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Electric Light Orchestra

Electric Light Orchestra was initially a side project of three of the four members of the Move, a swingin' London-based '60s British pop band featuring Lynne, drummer Bev Bevan, guitarist/vocalist Roy Wood, and bassist Rick Price. ELO's debut album in 1971 came out almost at the same time as the final Move album, Message To The Country. While Roy Wood had started experimenting with cellos, oboes, and other classical instruments on the final Move albums (which was the impetus to form ELO), it wasn't until Lynne's radio friendly hits started flowing, that ELO found the right formula: A blending of four-chord rock with lush string arrangements and Beatlesque vocals.

Wood was out of ELO (and the Move officially disbanded) in 1973 after the first LP, which made it clear that Lynne wanted to take the band in a very structured pop direction. Wood later formed the very eclectic (and British sounding) Wizzard and found his own success on the UK charts. By the time ELO released an innovative cover of Chuck Berry "Roll Over Beethoven" on their second studio LP, they were hit-bound. They had already released several classic songs by the time this show was captured, including "Showdown," Ma Ma Belle," "Nightrider," "Poor Boy," and the already mentioned hits from Face The Music and Eldorado, all of which are performed at this timeless show.

After another half-dozen huge hits, Lynne brought the band's activity level down to a couple of LPs for pretty much the entire duration of the 1980s. He opted instead to record and produce with pals Tom Petty, Rob Orbison, Bob Dylan, and George Harrison. After producing all four of them, Lynne became a member of the Traveling Wilburys, the supergroup spearheaded by Dylan and Harrison. By 1986, ELO had broken up.

Lynne's career as a producer would peak in 1995 with the recordings "Free As A Bird" and "Real Love," the first new Beatles songs since the band's break up in 1970, and the only real attempt at a band reunion. Lynne also released a solo album that was essentially ignored, and several of the remaining members of the band reemerged as ELO Part II, ending up in lawsuit with Lynne over the name. Lynne did tour again as Electric Light Orchestra in the early 2000s, which roughly coincided with the release of the band's box set release and the studio album Zoom, but only Richard Tandy was part of this project.

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