During the mid-sixties a phenomenon occurred in San Francisco that was to have a profound effect of America and the rest of the world. This counterculture had its focus and apotheosis in an area of San Francisco known as the Haight-Ashbury, the intersection of two streets whose very names soon became synonymous with the movement, and the people themselves.
Thousands of people flocked to the corner of Haight and Ashbury during the Summer of Love, but few saw the unfolding phenomenon as clearly as Gene Anthony did. From his apartment one block up the hill, he witnessed the extraordinary pilgrimage of young people from across the country as they trooped to San Francisco in search of answers, approval and love, and he captured the compelling vignettes through his telling lens. Anthony's photographic talent, subjects and well-deserved acclaim extend far beyond the psychedelic period, but his ability to capture a mood on a face or the essence of an era from a simple street sign was recognized and refined during that time. His photographs have, in turn, become the myriad faces of the Summer of Love.