Lee Conklin was fascinated by all body parts, to wit the butterfly ears in BG108. Conklin studiously tried to integrate his psychedelic-high visions into his poster art, filling lettering and sketches with hidden, convoluted image upon image. Once one deciphered the Who and Cannonball Adderly in the heading of BG108, the eye could wander to the bottom sketch, rife with reference to unfettered nature, the electronic age and wonders of the inner mind.
Lee Conklin's early influences were pen and ink masters Heinrich Kley and Saul Steinberg.After seeing articles featuring Wes Wilson's poster art, Conklin was inspired to visit San Francisco and show his art to Bill Graham. Conklin was soon commissioned to do posters and produced 31 original designs for the Fillmore between 1968 and 1969. Conklin rendered both graphics and calligraphy in intricate detail. What began as a personal challenge to disguise images within images and lettering soon turned into a concerted effort to turn every single letter and figure into another form, stretching the imagination to new limits.