Bill Graham invented "The Sound" to call to mind the home-brew, local San Francisco bands that he featured at his venues. In BG029, Wes Wilson captured the curvaceous female form in one of the best examples of his work.
Our pins commemorate legendary live rock, jazz and blues concerts from the Fillmore, Fillmore East and Winterland.
This item was part of Bill Graham's personal collection and shows some damage from the May 7, 1985 firebombing of his San Francisco office. The attack stemmed from Graham's open and honest criticism of President Reagan's visit to Bitburg Cemetery published in the San Francisco Chronicle.
When the Avalon Ballroom and Bill Graham's Fillmore Auditorium began to hold weekly dance concerts, Wilson was called upon to design the posters. He created psychedelic posters from February 1966 to May 1967, when disputes over money severed his connection with Graham. Wilson pioneered the psychedelic rock poster. Intended for a particular audience, "one that was tuned in to the psychedelic experience," his art, and especially the exaggerated freehand lettering, emerged from Wilson's own involvement with that experience and the psychedelic art of light shows.