11x14 Matted, Signed & Numbered are from a limited edition of 150.
16x20 Matted, Signed & Numbered are from a limited edition of 150.
20x24 Matted, Signed & Numbered are from a limited edition of 75.
Early on a January 1970 day, the men of Creedence Clearwater Revival came to the studio for a cover shoot for Issue No. 52. Later that same day the band appeared at the Oakland Coliseum Arena for a sold-out concert. As usual, I was onstage; from my vantage point behind the musicians I made one of my favorite photos: John Fogerty as musical evangelist, arm outstretched to an adoring crowd lost in fandom euphoria. -Baron Wolman
Settling in Haight-Ashbury in the 60's, Wolman was surrounded by Janis and the Grateful Dead in close-by digs. Wolman was soon accompanying journalist Jann Wenner to the now famous and genre-defining Mills College conference on rock music. Wenner happened to be the founder of Rolling Stone magazine. He liked Wolman's style, offered him a job and Wolman launched as the first official document-er of the new psychedelic age. Beginning with the magazine's opening issue, Wolman's photographs were windows on the parade of the different, the delightful and the doomed, and his pictures became the gold standard by which rock photography would be measured.