The macabre thespian raged against a grievous affront: the Grateful Dead, pointedly absent from the billing, were busted in New Orleans for marijuana possession. The fine print at the top of the poster indicated that this was a benefit concert for the band.
The red and orange handbill was only printed once before the concert. It measures 4 5/8" x 7".
A variant handbill exists (see BG222-B) that omits the red and orange ink and displays brownish gray instead. It was also printed before the concert and measures 4 5/8" x 7".
Randy Tuten is the only poster artist whose work spans five decades of design for The Fillmore. The 23 year-old San Francisco native was hired by Bill Graham in January, 1969, and their mutual taste for traditional, readable design style led to a long-lasting work relationship. Although influenced by the compositions of "Fillmore Five" artists Mouse, Kelley and Griffin, Tuten avoided "... Heavy meaning in my posters." Tuten's style reflected his skill as a draftsman, and his designs evolved into an eclectic mix of graphic imagery, lettering and photographs.