11x14 Matted, Signed & Numbered are from a limited edition of 150.
16x20 Matted, Signed & Numbered are from a limited edition of 150.
20x24 Matted, Signed & Numbered are from a limited edition of 75.
"In March 1969, talented music writer Stanley Booth and I visited Macon, Georgia and Muscle Shoals, Alabama, on assignment for Rolling Stone. Among other southern music royalty, we hung out with Phil Walden of Redwal Music, the Macon music company Phil started with Otis Redding. At Redwal we were taken into the recording studio where we were introduced to the Allman Brothers; the band was in the studio rehearsing. This was very, very early in the career of the Allman Brothers; the band had only recently been shaped into its new form by Walden. Obviously I made some photographs." -Baron Wolman
Settling in Haight-Ashbury in the 60's, Wolman was surrounded by Janis and the Grateful Dead in close-by digs. Wolman was soon accompanying journalist Jann Wenner to the now famous and genre-defining Mills College conference on rock music. Wenner happened to be the founder of Rolling Stone magazine. He liked Wolman's style, offered him a job and Wolman launched as the first official document-er of the new psychedelic age. Beginning with the magazine's opening issue, Wolman's photographs were windows on the parade of the different, the delightful and the doomed, and his pictures became the gold standard by which rock photography would be measured.