11x14 Matted, Signed & Numbered are from a limited edition of 150.
16x20 Matted, Signed & Numbered are from a limited edition of 150.
20x24 Matted, Signed & Numbered are from a limited edition of 75.
"It's a bit strange that the only time I photographed Chuck Berry was not onstage but as he was giving a lecture at UC Berkeley. Nevertheless, I've always found something compelling about the image of the man on the cover of Rolling Stone Magazine No. 35 where he appears to be something more than a musician. As if being a musician were not enough…" -Baron Wolman
Settling in Haight-Ashbury in the 60's, Wolman was surrounded by Janis and the Grateful Dead in close-by digs. Wolman was soon accompanying journalist Jann Wenner to the now famous and genre-defining Mills College conference on rock music. Wenner happened to be the founder of Rolling Stone magazine. He liked Wolman's style, offered him a job and Wolman launched as the first official document-er of the new psychedelic age. Beginning with the magazine's opening issue, Wolman's photographs were windows on the parade of the different, the delightful and the doomed, and his pictures became the gold standard by which rock photography would be measured.